I was asked this question for a magazine
interview some years ago and I remember my answer was “Getting the work!” I
think it is even more relevant today. Due to the recession most industries have
become more competitive and the work of a close up magician is no exception.
The reality is that close up magic is
relatively easy to become competent at. It is very hard to become good and
almost impossible to become world class. However a competent magician can wow
an audience who do not see much magic. So becoming good enough to work is
rarely the problem.
As I have said in other essays the close up
magician can progress very quickly due to the number of repeat performances
that can be achieved in a night. Anything from ten to thirty performances of a
given trick are possible at the right event.
This kind of practice with short
performances in quick succession really leads to great improvement in a short
time. I have been fortunate to work at The Magic Castle in Hollywood many
times. This is a members club for magic fans and you have the luxury of
performing four times a night for a week. The quick turnaround gives you a
chance to regroup and identify problems and rectify them. Long gaps between
performances mean that you forget and don’t get a chance to reinforce the
changes.
So getting to the required standard is not
the main problem of the professional close up magician. The real challenge lies
in getting the work. So it is sad, but true, to say that a competent magician
with good marketing skills will do better than a more skilled magician without
the ability to publicise their act.

I guess the most difficult thing for me in a close-up situation was in approaching people that I thought may not want interruption.
ReplyDeleteI don't have that brash over-confidence that perhaps is needed, and therefore found much more comfort as a stage performer.
Never-the-less, I admire the close-up performer, and in a way envy their ability to just do it.
Thanks for a very interesting article.
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